Researcher Database

（Last updated : 2024-04-08 14:22:03）　

KAKINUMA Ayako

Department / Course Kinugasa Research Organization

Title / Position Senior Researcher

Academic background
1.	2016/04～2021/09	Doctoral Program (2nd Semester) │ Cultural Representation（Musicology and Theatre Studies） │ Graduate School of Letters │ Osaka University │ Completed Doctor of Letters
2.	2014/04～2016/03	Doctoral Program (1st Semester) │ Cultural Representaion（Musicology and Theatre Studies） │ Graduate School of Letters │ Osaka University │ Completed Master of Letters
3.	2010/04～2014/03	Department of Humanities（Musicology and Theatre Studies） │ School of Letters │ Osaka University │ Graduated Bachelor of Arts
4.	2006/04～2010/03	Department of Electrical Engineering and Bioscience │ School of Science and Engineering │ Waseda University │ Unfinished

Business career
1.	2023/10 ～	Part-time Lecturer │ School of Foreign Studies │ Osaka University
2.	2023/10 ～	Senior Researcher │ Kinugasa Research Organization │ Ritsumeikan University
3.	2023/04 ～ 2023/09	Project Researcher │ Kinugasa Research Organization │ Ritsumeikan University
4.	2023/04 ～ 2023/09	Part-time Lecturer │ College of Letters │ Ritsumeikan University
5.	2023/04 ～	Postdoctoral Fellow(PD) │ │ Japan Society for the Promotion of Science
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Research activities
1.	2022/01 ～	International Federation for Theatre Research
2.	2021/04 ～	The Japanese Society for the Study of Circus
3.	2021/04 ～	The Association for Studies of Culture and Representation
4.	2021/01 ～	Dance Studies Association
5.	2018/04 ～	The Japanese Association for the Study of Popular Music
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Subject of research
1.	A sociological study on the formation of arts and entertainment cultural ideology and performing culture industry in the 20th century
2.	International comparative study of "artification" of performing culture: Issues concerning performers as commodities and workers

Research summary
Research on ideologies that supported the framework and ecosystem of performing culture Revues and cabarets, which flourished throughout the world in the 20th century, played an important role as a labor market in the formation of the entertainment and artistic culture that has continued to the present day. In Japan, from the 1950s to the 1970s, during the early stages of the clear differentiation of performing culture from the entertainment industry world, the performing arts world, and the visual media world, people from revues and cabarets are known to have had strong human and artistic networks. In my research, I analyze what kind of career development system the performing arts industry had in the process of building its own labor market and human resource development pathways in terms of human interaction, artistic content, and institutions, and I analyze the art and culture of 20th century society that formed the basis for the current formation of entertainment and art and culture categories It clarifies the characteristics of the ideology and social stratification.

Present specialized field
Aesthetics and art studies, Theory of art practice, Sociology (Keyword：Theatre Studies, Performance Studies, Cultural Sociology)

Papers
1.	2023/12	書籍紹介：星野幸代著『翼賛体制下のモダンダンス：厚生舞踊と「皇軍」慰問』 │ CHOREOLOGIA │ ,pp.60-61
2.	2022/10/15	学会紹介：日本ポピュラー音楽学会 │ ,pp.13
3.	2021/12	会議報告：「JASPM32大会ワークショップA 身体のポリフォニー：踊り手、歌い手、演じ手」 │ Popular Music Studies │ ,pp.99-101
4.	2021/09	宝塚・東宝レヴュー史における近代化と身体統制のイデオロギー │
5.	2021/07	Music to dance to / Music to be danced to : Resonance between Music and Bodies in Artistic Sports │ Arts and media │ ,pp.254-263
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Winning science prize
1.	2018/11	The 6th International Asian Theatre Studies Conference: Controversy and Conciliation Outstanding Achievement Award (Sexual Liberation and Historical Continuity of Early Strip Shows in Japan: An Experiment by Hata Toyokichi and Okada Keikich)

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